My Crazy Quilted Collar



 

What a great feeling to finish another crazy quilt project.  This is my second collar using the beautiful Gooseberry Hills pattern.  I absolutely love the design with the offset panels in the front and the off-center back. 

 

I've always wanted to do some project using only Kreinik metallic threads.   Those who know me well, know this is my very favorite thread.  With this black and gold background  I thought this would be the perfect project.  I have also used the Kreinik Serica and Bella silk threads to create the row on tiny embroidered flowers on the left front panel.

 

Many crazy quilters love the sparkle and glitz that can be achieved with all those bright and shiny embellishments.  The Kreinik metallics provide the perfect seam treatment to accomplish this.
 

I've also incorporated several beautiful things that have been given to me over the years.  I am so fortunate to have many talented and generous friends. 



"A Crazy Year in Texas"

I  cannot believe I'm almost finished with my very first crazy quilt design.  I call it "A Crazy Year in Texas" but it's actually two crazy years.  I began on July 12, 2010.   My local crazy quilt bee and several other friends have been stitching along side me and testing my patterns and instructions.  I wish you could see all the work these amazing ladies have done.  With each one adding their own personal touch and interpretation, no two blocks are alike.

I would love to list all my favorite tools, products, threads, ribbons, etc. but space does not permit that.  Some of my very favorites include:  Kreinik Threads, Hanah Silks, Carole Sample's Dream-a-Seam templates, Connie James' Diva Custom Cordmaker, Sulky Heat-away and my Igolochkoy Russian punch needle.  A very special thank-you to Linda in New Mexico for creating the beautiful tatted ghosts and crinoline ladies.

All that remains is the final assembly, tying and adding the mitered three inch borders.  This is the part that really strikes fear.  Crazy quilting is forgiving. There is no such thing as a mistake - just an opportunity for embellishing.   If I make a "mistake" I can always cover it with a silk ribbon motif and you will never know it's there.

Mitering those corners and stitching everything together isn't that forgiving when mistakes are made.  So wish me luck.

WTWW 2011 ArtBra Calendar - A Work in Progress

Wow it's been a long time since I've posted. But I do have a good excuse and thought I would share. First let me tell you about Victoria Adams Brown, a dear friend and mentor. A number of years ago she started the WTWW Foundation and invited me to design an ArtBra for exhibition. I believe that was in 2004 and we are still going strong.

I've blogged a lot about my past designs but thought I would share with you my newest bra which I call " Chrysalis." It is inspired by three wonderful women who have experienced the ravages of breast cancer and turned it into a positive experience.

With each one I was reminded of the monarch butterfly and its life cycle. From the darkness of the cocoon (which can be likened to the months of surgery, rehabilitation and often times chemotherapy) emerges the beautiful butterfly. These women have emerged from their cocoon with a new beauty and grace both inside and out.

Brenda Wilson, Vic's sister, designed a beautiful butterfly which she kindly gave me permission to use in my designs. Brenda is a breast cancer survivor, spokesperson and advocate. The magnificent wings of the butterfly sit atop a body shaped like a pink ribbon bow - the well-known symbol for breast cancer. I have taken her beautiful design and re-created it with beads. I hope you will enjoy the photos of my progress.

Brooke Exley Long, owner of Hanah/Artemis Silks donated the beautiful shibori fabric that covers the bra. I've used Hanah silk ribbon to make the zinnias and burnished silk leaves.

The branch the cocoon hangs on is made with the Diva Custom Cordmaker designed and sold by Connie James, owner of Fibergoddess.

We are excited about introducing the 2011 ArtBra Calendar and hope that everyone will purchase a calendar to support this very worth while cause. The ArtBras and wall hangings will be on exhibit at the Houston International Quilt Festival this Fall.

I can't close without telling you about the two other women who have so inspired me. Jan Campbell was diagnosed with breast cancer almost a year ago. She was my first crazy quilt instructor, another wonderful mentor, and one of my dearest friends. She has designed her first ArtBra this year named "Are They Real?" You can see it on Vic's blog.

And last but certainly not least; Linda Cauble. I met Linda at the Houston Quilt Festival last year. Her story is amazing! She required a bone marrow transplant and her recovery was complicated by these issues. But what a beautiful lady she is. She is the owner of A Beaded Road and sells the most beautiful shawls.

Thanks for stopping by my blog - please visit often. I've linked all the websites so just move your cursor over the names and businesses. Don't forget to order your 2011 ArtBra Calendar. They make wonderful gifts.

What I LIke to Do

Thought I would post several photos of "what I like to do." The first two photos are my blocks for our 2010 wall hanging for breast cancer awareness. See the sidebar Flickr link for all the blocks.







This is one of the motifs on my "Opposites Attract" ArtBra design.









Here is one of the silk ribbon flowers I use on one of my needlecase designs.




And my billfold design:



Also the very first purse I made about eight years ago.









This is a large covered button with silk ribbon embroidery and a beaded picot stitch.

Retreat Withdrawal

Our Wallis retreat was wonderful as usual! Premier Estates is the perfect place to sit and stitch. The peace and quiet of this small town along with the beauty of the house and grounds is so inspiring. Combined with the talent of all my Lake Jackson friends, one can't help being productive.

We were excited to have Melanie's sister, Wendy, join us...what a talented lady. She and Melanie do wonderful ribbon and fabric dyeing in addition to many forms of needle art including crazy quilting.

There was a beautiful gardenia bush blooming profusely. Wendy brought one in and asked me to make one with silk. I made some sketches while enjoying the wonderful fragrance of this flower. Monday I sat down and made my first attempt at recreating it. We talked about naming it The Premier Gardenia so here it is - just for Wendy!

I really don't like the burned edges since the gardenia is such a pure white. I'm going to continue experimenting and check other ways of doing the petals.

I promised pictures so I'm going to share a few of the projects I completed on retreat. I signed up for the pinkeeper swap on one of my yahoo groups, Silk Ribbon Heirlooms, so that was my first project. I altered one of the rose patterns I created for Artemis/Hanah silks and added it to the top.

Instead of using the regular CD I used a 3" mini CD. Two of the CDs are covered with green velvet and sandwiched together. You can slide pins between these two layers and it makes a great place to store pins.

I formed the center bud using a light rose velvet and filled it with emery...a little something extra to sharpen pins or place your needle. The rose is made with 1" wide Hanah silk satin in the Victorian Rose color. I absolutely love working with these beautiful ribbons and feel so fortunate to be able to design for them.

Another friend and I had seen several CQ bags for your clipping and such. I hesitate to call it a trash bag but that's exactly what it is. We talked about making one so I drew a pattern for a really simple box-style with a lid. I was experimenting to see if my pattern really worked so I used a floral fabric and lined it with dupioni.

It would be beautiful crazy pieced and embellished and I plan to do one for one of the upcoming issues of CQMagOnline. Pictured here is my first attempt. The green velvet on the inside lid is an emery pincushion. The weight of the emery keeps the box in place on the edge of the table. It's amazing how convenient it is and I find I'm using it every time I sit down to stitch.

In a previous post I showed you my large CD pincushion. It was an idea I got from the ladies at the Tomball retreat. Several of our group just had to have a small one when we discovered the mini CDs. Pictured here is my mini creation. Of course, all I need is another pincushion but that isn't really the point, is it? I'll have to substitute pincushion in that old saying: "He who dies with the most pincushions wins!" I may not have the most but I'm sure I'm running a close second.

By the way, isn't the box under the pincushion beautiful? Linda always brings door prizes and I was the lucky winner of this beautiful prize. She is always so generous and we always look forward to seeing what she has.

It Must BeTime to Bead

I just received this gorgeous cabochon from Vic. Of course I was instantly in the mood to pick up my beads and start beading. Before I get totally involved, however, I thought I would share some cabs I have done over the years.

In this picture one is a cab and the other two are buttons with the shank removed. The red and gold ones are the buttons.

Several years ago I posted in one of my Yahoo groups some steps in beading a cab so thought I would share that with all of you.

1. Using Fabri-Tac or E6000, glue a cabochon or button with a flat back (you can cut shanks off) to a piece of felt about an inch larger than the button. Only glue the center of the button and not around the edges. This will prevent you getting a needle through. Let this dry overnight.

2. Add a row of beads around the outside of the button. I thread on 5 beads, going back down through the felt angling toward the center of the button. Come back up at the 3rd. bead, putting thread through the 3, 4, & 5 bead and adding 5 more. Continue this step until you have circled the button. I used one color of bead on this row but that is optional.

3. Add a second row of beads around the outside of row 1 of bead following the same technique. You will cut the felt even with row 2 when that is complete so make sure your thread goes in at an angle toward the center of the button. Otherwise you will cut threads as you trim the felt away. On this row I alternated two colors.

4. Working with about 18" of beading thread, a color matching the beads if possible, bury your knot. The smaller the bead you use now, the more delicate the frill.

5. Put 3 beads on the needle, go down through the felt about one bead width away from where you came up with the needle. Turn the button over and put your needle up and through the last bead that you threaded on. Turn the button over and add 2 beads and follow the step above: put your needle down through the felt about one bead width away from where you came up, turn the button over and put your needle up and through the last bead. Turn the button over and add 2 more beads and repeat this process until you have circled the button. End with 2 beads, come up through the second bead and add one and go down through the very first bead where you started. Stabilize with a knot.

6. Bring your needle and thread up through the last bead. Notice how the beads form a step row: one up, one down, one up line around the button. On this row you will be going through the one up bead in each sequence. Add 3 beads then thread through the top bead of the step row. Repeat this around the entire circle.

7. If you choose you can knot off with the row or add one additional row for a fuller frill. If you add an additional row you will bring your needle and thread up through the last bead, add 3 beads then thread through the top bead of the previous step row. Repeat around the entire circle.

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The cab on the right is a large metal button covered with fabric and them embellished with silk ribbon embroidery. I did the button but the beading was done by dear friend, Lynnis.

I was slowly drawn into trying more complicated patterns. The black velvet one below is one of those. It is also a large metal button covered with velvet and embellished with silk ribbon. I totally encased this one with a beaded picot stitch. Fairly easy to do but it certainly takes a long time.

I just had to have necklaces to match when I finished these cabochons so that called for more beading.

I love to collect old jewelry and take it apart saving some of the more beautiful stones to use in my beading.

My real love is crazy quilting and silk ribbon embroidery but beading is also very rewarding.

Burning Silk Leaves

I thought I would answer those who asked how I burn my silk petals and leaves. I have to credit my dear friend and mentor, Victoria Adams Brown, for introducing me to the technique. I took a class on the small Victorian bag pictured here. She hand-dyed the beautiful silk and we cut wings for the butterfly and burned the edges with candles.

The class was in Omaha, quite a few years ago, and I've been experimenting ever since. I've used matches, butane fire starters, textile burning tool and the soldering iron pictured here. All of the above are very hot so please use caution.
You can trace and cut out a leaf design like the grape leaf on the left or freehand a leaf. I've used the soldering iron pictured and burned the outside edges. It gives a stiffness to the leaf that allows it to hold it's shape when stitched down. I like to use a back stitch or tiny feather stitch in green or gold.

If you push up a tiny gather as you're stitching the leaf in place it will give an additional dimension to the leaf.

In the picture below I've used the grape leaf along with 4mm silk ribbon French knots, beads, and tendrils. The second picture is a section of my ArtBra design for 2007. The leaves were hand-dyed and then highlights were added with a paint brush. I really enjoyed making this bra. I hand-dyed the silk for the grapes as well. They were stuffed with fiberfill and then sewn together with beads. This allowed them to hang as clusters. This particular cluster was stitched to the left cup of the bra.

I currently design for Artemis/Hanah Silks and will soon have four designs published using their beautiful silks. Two of these use the burning technique shown here. I had the pleasure of demonstrating my rose design at the Houston International Quilt Market this year.

The Paris Wall hanging for my son

In January, 2007 I started the Paris wall hanging for my son, Jason. I knew whatever I did needed to be more masculine than my usual flowers so I was definitely "out of my box." I did have an idea, however, and began by drawing it on paper. A fiber tree would start in the bottom right block and end in the top left. One of twelve scenes from Paris snapshots would be reproduced on silk in sepia tones and placed on each block.

I pieced 12 blocks and drew my tree design. Now it was time to begin making my tree. One of my very favorite tools is the Diva Custom Cord maker. I selected the fibers I wanted to use plus one strand of beads for sparkle. Layout was important and leaving enough cord to continue the tree when the blocks were stitched together had to be taken into consideration.

With the trunk stitched in place it was time to begin attaching leaves. I dyed silk in three shades, cut out the leaves and burned the edges. What a great feeling it was to have all those little leaves stitched down. When the blocks were stitched together I knew I would need additional leaves so those were set aside.

Now for the embellishing...without flowers....almost an impossible task. In September, I put the finishing touches on each block and stitched them together. I attached the mitered borders, backed it in beautiful crushed velvet, and completed it by tying. I gave it to him when we visited in November. A special gift for a very special son.